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Vincent van Gogh

 

Vincent and Theo, Movie Poster, 1990

Vincent & Theo

Starring: Tim Roth, Paul Rhys

Release: 1990

 

If you’ve been following this list, right now you might be thinking, “Wait, another Van Gogh movie?” Yes, Vincent & Theo (1990) traces the relationship and lives of brothers Vincent (played by Tim Roth) and Theo (played by Paul Rhys) Van Gogh, the oil portrait artist and his art dealer brother. The film follows the brothers’ turbulent but supportive relationship, as it also documents their individual struggles with mental deterioration. Where Lust for Life presented a dignified and sanitized version of this descent, Vincent & Theo is much more honest and brutal. Vincent’s mental illness is well known, but Theo also battled with mental deterioration caused by syphilis, and the film represents these struggles with a frankness that can be downright scary.

As it emphasizes the inner lives of the portrait painting artist and his brother, the film emphasizes the connection between those inner lives and artistic passion.

Lust for Life, Movie Poster, 1956

Lust for Life

Starring: Kirk Douglas, Anthony Quinn

Release: 1956

Lust for Life stars Kirk Douglas and presents the career of Vincent van Gogh, including the influence of his friendships with painters Camille Pissarro, Henri de Toulouse-Lautrec, and Paul Gauguin (a part which won Anthony Quinn an Oscar). Although melodramatic at times, the film presents a surprisingly honest portrayal of the artist's life – his live-in relationship with a prostitute, his mental illness, and his suicide are all represented in a fullness that you might not expect from a movie released in 1956.

Sitting to watch this movie, I figured there wouldn't be anything further from the last movie on the list. After all, Andrei Rublev is a fairly inaccessible Soviet era Russian art film, while Lust for Life is a lavish Hollywood biopic. And on first viewing, my expectations were met. Where Andrei Rublev relished its artist's subject more than it celebrated his work and pushed the painter to the sidelines of his own namesake film, Lust for Life savors van Gogh's larger-than-life status. When young van Gogh argues with his instructors in the opening scenes, insisting that he passionately wants nothing more than to become a minister, the movie feels almost too self-aware – it knows that the audience already knows where this story is going and that young Vincent will fail in religious life.


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