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Rene Magritte

 

Olympia, painting by René MagritteIt was a terrifying interruption to an otherwise peaceful day at the René Magritte Museum (located in the artist’s former home) on September 29, 2009. As three employees and two tourists enjoyed a quiet morning in the small former home of the artist, the doorbell of the by-appointment-only museum rang just after 10:00. Two men entered, held a gun at the museum attendant who had greeted them, forced everyone to the ground in the museum’s courtyard, and then left with one painting in their possession – the 1948 oil portrait Olympia. The painting, atypical of Magritte’s other surrealist object and landscape portraits, shows his wife, Olympia, lying nude on a beach with a conch shell on her stomach.

The painting is valued at over $1 million, but most experts guess that the thieves did not intend to sell the masterpiece. The painted portrait is far too famous to sell, even on the black market, and the men took only the one piece, despite having time and access to numerous other works. The details of the crime suggest that an illegal collector hired these two men to steal this specific original oil art for his or her own underground collection.

René Magritte: Some may call him the master of the absurd, I call him the closest thing to a philosopher the art world has ever seen. Time Transfixed (La Durée poignardée, 1938) Oil on canvas painting by René Magritte. You may know his works as those deliciously impossible paintings: a train coming through a fireplace or the suit without a man. This is how Magritte did surrealism, in dream-like, poetic imagery that carries impact.

He worked in a field of seeming opposites. But his work was actually were a take on the world and the artist's place in the world. His painting, The Treachery of Images exemplifies this idea. The painting is in an almost early-pop art style of pipe and the text below reads “this is not a pipe.” This seems at first glance to be a contradiction, but it is one that is right. It is a painting of a pipe, not a pipe. This could be seen as a comment on realism in art and how the artist can never truly depict the object they are after.


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